I am Thinking About the Movie Con Air
I am thinking about the movie Con Air and my love
for Nicholas Cage, which is profound and focused
on the abundance of his hair, the way it trickles and recedes
to the middle of his scalp, chorusing down his back
with an unevenness that mirrors the body’s swollen
inadequacies, one of my breasts
whistling with milk while the other sleeps
flat against my chest, the asymmetrical
splendor a speaker swelling with fuzz and odd
time signatures, like half of my body
restored to its original form. I never met Nicholas Cage
but watched Con Air so many times I can conjure
the chiaroscuro dribble of his voice, blue smoke
lapping the edge of an extinguished star,
and imagine he, too, knows how to disguise
the body into something less fragile,
the tired meat of his heart striated
into a thousand directions like a smoldering compass
as when I gave birth the midwives praised my composure,
said their last patient clawed the bed like a raccoon,
and I wished instead to have given birth like a squid
shooting an ombre cage of ink and ovum
out of her orifice, ragged and deranged
with hormones, because didn’t I hold my daughter
and wish to be as feral as a raccoon
who knows love is the blunt metronome
of rummaging through trash, who doesn’t
think but throws her body into the labor of it?
In the last scene Nicholas Cage grips the pink bunny
he bought from commissary,
ripped-up and dripping with fuel,
and hands it to his daughter anyway
and I will watch it over again
to see him stand there bruised and lit
with the one good thing he has;
my left breast emptied while the other
floods with music,
soothing the vowel-starred tongue.
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