El cuerpo de Pedro es una historia antropométrica. Su belleza no reside en los elementos, sino en la armoniosa proporción que mantiene un dedo con otro dedo con otro dedo con otro dedo con otro dedo hasta formar la mano y la otra mano y la otra mano. Todos los antebrazos, los muslos, sus nalgas. El ritmo con que desplaza su musculatura, carnosidad llamada vida.
Pedro’s body is an anthropometric story. His beauty does not reside in his body’s individual parts, but in the harmonious proportion of one finger with another finger with another finger with another finger with another finger as they form a hand and another hand and another hand. Everything: his forearms, muscles, buttocks. The rhythm with which his musculature moves, a fleshliness called life.
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