Your last memory of family
is your first memory
of violence. Like a field
split by a river,
a river narrowed
to a seam, there is a you
who is not you, but your brother;
and there’s you,
who is the I watching
the shadow
of rain bulge overhead, feeling
thunder
in its falling —
which is to say,
your brother
is behind you and, behind him,
your father: three oars,
out of rhythm,
in and through the darkening,
the agitated water
agitated by water falling
inward,
pelting the unseen surface
of a river called
perpetuity
— near strike of lightning —
rain falling hard, like only what it is:
a sky’s refuse.
A sky saying yes to we’re going
to die out here.
A voice that is not yours. An oar
out of water.
A sound, then. A sound you, not
for want of trying, cannot unhear. Sharp
and hollow, the body letting go its fear
and, in its place, ushering in a new
and crumpled epoch,
a permanent sadness
that is not sad
so much as
permanent.
The body, folded, of a boy
who is not you, crying
no longer. The oar,
your father slips back into
November water. A stroke,
then two. The only sound: a long shatter
of rain
on river,
which sounds very much, now,
like silence.
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