The Sculptor
I start with a memory: October, visiting
my sister in New York, driving
through upstate at night where
the woodbox houses along the hill road
are lit up at their windows. Slumped
in my passenger seat you are
one black hoodie away from complete
invisibility. I hold the memory
in my open palm and with my other
hand, pluck out all the extra: the dying
trees, the moon, sky, houses, until
only you and I remain. We are
in the car and it’s dark. I attach
a lightbulb the size of a pinky nail
to the memory, I can see now
the lines on your face
that I couldn’t before, the worry
gathering beneath your eyes. In
the silence, I squeeze the hill
into a sphere so we can drive
around and around
until I finally build the courage
to ask why you’re going to do it.
Fear splits the memory in half
before you can answer—the car ripping
at the seam between us, falling away
from each other, hill road
flattened beneath my palm
into a North Carolina parking lot
three months later. Half-dimmed
streetlights shine on the concrete
foundation of a mall that was once
the largest for 100 miles: the day after
you relapse for the first time.
I watch you ride your skateboard
like a stiff body across the makeshift
skate park. Even in this world
your small clay form carries
the weight of your body to come, cracks
forming in the crooks of your arm, knees,
toes. After a fall, you laugh, pull
yourself to your feet and give me
a thumbs up. The cracks spread.
I want to save you. And I could here—
pull you back together with a pinch,
unpin last night’s needle
from your vein and crush it
to dirt, smooth over the scar
tissue just now beginning to form,
all it would take is a drop of water
and the right amount of force. But I know
now what I didn’t then. I have to learn
how to let you fall apart.