Why Moths Fly Toward Light

Nina Peláez

Before man, the moon

    was escort—though not to light

but to the dark they seek

turning furred backs to bright

    apertures of constellations

far enough away to feel fixed

so the thousand ommatidia

    of their eyes—like sailors’

charting sombre-hued waters—

followed orbs celestial, shining,

    gilded as Charon’s coins pressed

over the lids of night’s still face

then came streetlamps, electric

    bulbs buzzing, UV outshining

lights dimmed by lightyears

so in each confused approximation

    the false star flickering shifts in view,

spinning the winged body’s instinct

round and round and round

    the flightpath a frenzied mortal coil

that turns, then snaps, and traps

the fallen body, the shuddered

    wings—eyespots now folded closed

beneath the sky’s black water

about the author
Nina Peláez

Nina Peláez

Nina C. Peláez is a poet, essayist, educator & cultural producer interested in themes of displacement, diaspora, ecology, and resilience. Her writing appears in journals including The Atlantic, The Iowa Review, Narrative, Prairie Schooner, Electric Literature, Pleiades, Rattle, RHINO, swamp pink, and Willow Springs, and has been supported by Tin House, Yaddo, AWP, Hudson Valley Writers Center, and Key West Literary Seminars. She is the recent recipient of the Gwenn A. Nusbaum Scholarship from the Walt Whitman Birthplace Association, a Barbara Deming Memorial Scholarship, and Radar’s Coniston Prize. She is a Tin House Reading Fellow, mentors for The Adroit Journal, and is Associate Director of The Merwin Conservancy. She holds an MFA from Bennington Writing Seminars where she was a 2025 Alumni Teaching Fellow.

Other works by Nina Peláez


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