After

Diana Cao

I can look most things dead

on. In the dream, I lose

everyone. The houseplants yellow

in the tub while I run out

of air in the bedroom.

Their stalks wither after

the humidifier sputters after

days of drought. Are they dead?

Or is there more to lose

if I keep letting things go—yellow

to brown to too late to back out

of a bad deal now. Bathroom to bedroom

to bathroom to bedroom.

Don't say I avoid the inevitable after.

I confront my dread.

I eat until my body hangs loose.

The hands in my lap are otherworldly, yellow

in the artificial light. Looking in from out

there, a stranger thinks he's missing out

on warmth—my glowing bedroom

curated for love? Is that what I'm after?

The stranger's vision of the life I've led

in which I still have everything to lose?

The traffic light turns yellow,

and again a car speeds to catch that yellow

before it’s red. A noise comes out

—of my mouth?—or outside my bedroom.

Some commotion after.

See? Life goes on no matter who's dead.

Strangers everywhere lose their lives, I lose

track of days, losses,

leaves, leavings, brown, yellow,

black rot in my tub. I still haven’t gone out.

Someone in China owns this bedroom

I rent. Someone else will occupy it after.

The terms of the contract are never dead.

In the window, always, a vase of fresh-cut yellow flowers.

You tell me what comes after.

about the author
Diana Cao

Diana Cao

Diana Cao's poetry and fiction have appeared in Ploughshares, The Threepenny Review, The Yale Review, and elsewhere. She has received support from MacDowell, the Bread Loaf Writers' Conference, and Just Buffalo Literary Center. Her debut collection, Slipstream, won the 2024 Berkshire Prize, selected by Matthew Rohrer, and is forthcoming from Tupelo Press in 2026.