Bad Veins

Emma Bolden

At a level audible only to small and nervous mammals

a needle thunders into the red landscape of the plastic

box of spent sharps. A needle’s purpose is to kill or

to heal, to sew together or pick apart; the needle is not

wise enough to know the difference and neither is

the hand that holds the needle. Whenever a needle

enters the vicinity of my veins, my veins are insulted.

They are stubborn; they roll to the side, they refuse

to appear in the first place. I apologize to the gloved

hand holding the needle. My body misbehaves and I

know it, the way a tongue knows a broken tooth, the way

I know the flaws that trip my tongue to flay, to insult.

I imagine the trail I’ve left behind, bloodied gauze and

ruined needles and sorry, I’m sorry, bad veins. A needle’s

purpose is to embellish, to alter the flat landscape of

canvas. A needle isn’t sorry. It must pierce to beautify,

to trail a bruise of flowers; a needle knows a person must

know damage to learn when to say sorry, when to repent.

about the author
Emma Bolden

Emma Bolden

Emma Bolden is the author of a memoir, The Tiger and the Cage: A Memoir of a Body in Crisis (Soft Skull), and the poetry collections House Is an Enigma, medi(t)ations, and Maleficae. Her work has appeared in such journals as Ploughshares, The Gettysburg Review, the New England Review, The Seneca Review, Pleiades, Prairie Schooner, TriQuarterly, and Shenandoah. The recipient of an NEA Fellowship, she is an editor of Screen Door Review.

Other works by Emma Bolden


Golgotha
Bad Veins
Golgotha