Medusa as Gardener

Kara Dorris

She sneaks pages of The Old Man & the Sea between weed pulling & watering, endless crabgrass she can never truly be done with even in sleep. Those pages feel more alive when stolen between sky & the body at work. Chrysanthemums & words. Alone, maybe she phones home on her lunch break to say the dogwoods are a different kind of sea closing in & she can never catch all the golden falling leaves. She will return to her lawnmower day after day until she is an old woman disarmed & drifting at sea. Does she dream of swans or another kind of balm. Does she arrive home & tell of the infinitesimal color changes of resurrection & dying, shifting flight patterns & nesting of birds & bees & pages. How the leftover rain has taken her duty for the day & maybe it was meant to be. That our hands are miraculous meant for so much more than worrying.

about the author
Kara Dorris

Kara Dorris

Kara Dorris is the author of three poetry collections: HitBox (Kelsay Books 2024), Have Ruin, Will Travel (2019) and When the Body is a Guardrail (2020) from Finishing Line Press. She has also published five chapbooks, including prose chapbook Carnival Bound [or, please unwrap me] (The Cupboard Pamphlet, 2020). Her poetry has appeared in Prairie Schooner, Redivider, Nine Mile, DIAGRAM, Puerto del Sol, and swamp pink, among other literary journals, as well as the anthology Beauty is a Verb (2011). Her prose has appeared in Wordgathering, Breath and Shadow, The Past Ten, Waxwing, and the anthology The Right Way to be Crippled and Naked (Cinco Puntos Press, 2016). Recently, she edited the poetry anthology Writing the Self-Elegy: the Past is Not Disappearing Ink (SIU Press, 2023). She is currently an Associate Professor of English at Illinois College. For more information, please visit karadorris.com.