Before and After: A Quasi-Abcedarian

Martha Silano

Once I thought like an aardvark; now, I think like an ant.

Once I was a ribbon; now I’m a big red bow.

Once I was a crimson chat; now I’m a condor.

Dogs bark at my door; together, we dance.

Everything is electric with ease. There is no edge.

Before, failure was my face.

I was a garden of grief.

In the halftime of my life, I’d sipped misery’s mist.

I was the inch-long inchworm, slowly increasing.

I was a jailed jewel.

My kayak almost tipped; my luck limped.

The macaque of my heart would not mend.

Nobody knew it, but I was a nervous nightjar.

My secret pain, tidal, like an ocean,

pain like saw palms waving in the cold:

my whole life a pop quiz

when the rain went river, went roar.

Suddenly, sadness sailed away on a sloop.

My tarnished teakettle glowed.

My ugly and useless umbrella blew away.

My vexing vamoosed—on vacation in Valencia.

What window had I climbed through?

The window of exuberance.

You can find it too...

all you have to do is loosen the zipper of fear.

about the author
Martha Silano

Martha Silano

Martha Silano’s forthcoming poetry collections include Terminal Surreal (Acre Books, 2025) and Last Train to Paradise: New and Selected Poems (Saturnalia Books, 2025). Her current release is This One We Call Ours, Winner of the 2023 Blue Lynx Prize (Lynx House Press, 2024). She is also the author of Gravity Assist (Saturnalia Books, 2019), Reckless Lovely (Saturnalia Books, 2014), and The Little Office of the Immaculate Conception (Saturnalia Books, 2011), winner of the Saturnalia Books Poetry Prize and a Washington State Book Award finalist. Martha is co-author of The Daily Poet: Day-by-Day Prompts for Your Writing Practice (Two Sylvias Press, 2013). Her poems have appeared in Poetry, Paris Review, American Poetry Review, Kenyon Review, The Missouri Review, and in many anthologies, including Cascadia: A Field Guide Through Art, Ecology, and Poetry (Mountaineers Books, 2023), Dear America: Letters of Hope, Habitat, Defiance, and Democracy (Trinity University Press, 2019), and the Best American Poetry series (Norton, 2009). Awards include North American Review’s James Hearst Poetry Prize and The Cincinnati Review’s Robert and Adele Schiff Poetry Prize.