But the Bees

Martha Silano

After I studied a stone, after I spotted an eagle in a madrone,

I chose the junco in the salal, the lichen in the crotch

of a tree rather than scrolling my phone.

Down my street, there’s a stump that reminds me of an octopus,

or is it a many-legged human, or is it just a tree that,

for whatever reason, decided it needed

several trunks? I thought about massaging my earlobes to stimulate

my vagus nerve while God and I had a thumb war.

Who do you think won? Then I said hello

to a hellebore blooming through snow. Nothing grows younger,

not the ferns nor the mosses, nothing is younger-ing,

but it doesn’t make my eyebrows ache,

doesn’t mean I won’t have a pinwheel bialy tomorrow

at my favorite coffee shop. Whenever it feels like it,

the Earth could heave and quake:

right now, tomorrow, in 556 years. I think of that poet who asked

What is it you plan to do with your one wild and precious life?

Well, eat Swiss cheese, go see the twelve apostle

herons at their very urban rookery, sink my teeth

into orange-cranberry bread, look closely

at a goldeneye, see if I can spot,

on its face, its tell-tale Nike swoosh. In this one precious life,

the roof needs its moss and the flour must have its yeast,

and with my ghosts I’m as rich as a slug

who adores its slime. It’s sad about the garbage gyre,

but then there are drunken bees (please don’t spray

the dandelions) and tambourines, the chance,

every day, to take a polar plunge. I’m sad, and I’m not sad,

you know what I mean? Stunned by the full moon

that follows me from Tacoma to home.

about the author
Martha Silano

Martha Silano

Martha Silano’s forthcoming poetry collections include Terminal Surreal (Acre Books, 2025) and Last Train to Paradise: New and Selected Poems (Saturnalia Books, 2025). Her current release is This One We Call Ours, Winner of the 2023 Blue Lynx Prize (Lynx House Press, 2024). She is also the author of Gravity Assist (Saturnalia Books, 2019), Reckless Lovely (Saturnalia Books, 2014), and The Little Office of the Immaculate Conception (Saturnalia Books, 2011), winner of the Saturnalia Books Poetry Prize and a Washington State Book Award finalist. Martha is co-author of The Daily Poet: Day-by-Day Prompts for Your Writing Practice (Two Sylvias Press, 2013). Her poems have appeared in Poetry, Paris Review, American Poetry Review, Kenyon Review, The Missouri Review, and in many anthologies, including Cascadia: A Field Guide Through Art, Ecology, and Poetry (Mountaineers Books, 2023), Dear America: Letters of Hope, Habitat, Defiance, and Democracy (Trinity University Press, 2019), and the Best American Poetry series (Norton, 2009). Awards include North American Review’s James Hearst Poetry Prize and The Cincinnati Review’s Robert and Adele Schiff Poetry Prize.