Two Nights in June, Years and Distance Apart: Haibun

Rachel Morgan

    An archive houses artifacts, any man-made object among his documents. The right amount of salt makes food taste more like itself. The marriage crenellated. By its 16th year, the gifts of wax or silverware. There are two kinds of ends, also gifts: traditional and contemporary. When asked if he believes in god, the hungry man answers, yes, the only thing I think of is bread. This is a darling recollection: along the dark, romantic coast littered with moonstone, also, the beach’s name. The stone’s properties: emotional balance and intuition, fostering of empathy, bringing harmony to relationships. Inside the hotel, the baby’s unweaning, perfume-maker breath atomizes us. Later, on the patio in adirondacks he and I are the precipice of luck, love, the Pacific—and my dear god—the whooshing wheel of the tide. One artifact recalls the wreck, the other artifact is the wreck.

 

       Virginia porch light—

       a luna moth coruscates.

       Start over, she says.

about the author
Rachel Morgan

Rachel Morgan

Rachel Morgan is the author of the chapbook, Honey & Blood, Blood & Honey (Final Thursday Press), and her work recently appears in Best New Poets 2024, Prairie Schooner, Alaska Quarterly Review, Journal of the American Medical Association, Beloit Poetry Journal, and Shenandoah. She is the winner of the 2020 Fineline contest, and her work has been supported by the Sustainable Arts Foundation. She is a graduate of the Iowa Writers’ Workshop. Currently she teaches at the University of Northern Iowa, is an Editor for the North American Review, and a 2024-2025 Iowa Artist Fellow.