About Three Trees: Haibun

Rachel Morgan

    In my 112-year-old house, I’m waiting for the chicken of the woods to erupt at the base of a craggy oak. The ground’s sopped from last night’s diagonal rain. Its hyphae grow mouths to eat, to gossip, to sing the soil, and I suspect I’m in a period of learning to close my mouth for growing children, for certain foods, for what was, since wants and wishes are subjunctive. A memory: us emerging from the tule fog to the cypressed coast, driving up and north-going. The great trees of the world—I’ve seen two–the fleshy thenar of your palm, exquisite at the wheel. A finger named for the ring it wore. Our melon-sized baby inside me. A middle is only determined by its end. If you’re once happy, is it the same happiness if recalled? I can think so. My foraging neighbor promises to help me prepare the mushroom, ensures its woodsy taste—peppery on the tongue—divination. Meanwhile is found waiting. I hope we’re the only species that wastes time before it’s spent.

 

       Alive with pharaohs,

       a tree’s famous saeculum

       inside rings it’s worn

about the author
Rachel Morgan

Rachel Morgan

Rachel Morgan is the author of the chapbook, Honey & Blood, Blood & Honey (Final Thursday Press), and her work recently appears in Best New Poets 2024, Prairie Schooner, Alaska Quarterly Review, Journal of the American Medical Association, Beloit Poetry Journal, and Shenandoah. She is the winner of the 2020 Fineline contest, and her work has been supported by the Sustainable Arts Foundation. She is a graduate of the Iowa Writers’ Workshop. Currently she teaches at the University of Northern Iowa, is an Editor for the North American Review, and a 2024-2025 Iowa Artist Fellow.