Bel Canto

Alonso Llerena

    But let’s be honest—it’s not an especially bold or insightful rendering of South America

                -Ann Patchett

What an opportunity missed

could you have given them more life;

Was it their death / which moved plot to end

I think of your character Carmen

If she had been real

            she would have surrendered / summarily executed

bullets through the nape / 1990s calling card

Was it love for opera / fascination / which causes me to question

I want you to know / whenever I sit at a kitchen table

            I remember I was witness amidst brick stove

An aria of flame within a mansion / my city froze

            mantled by the garua— a drizzling net rendered time irrelevant I

became a sleepless child the night the embassy was taken—

glued to the tv with my nation.

Did you find host country / exotic / which causes me disgust

I was eleven when for one hundred twenty-six days

I watched

Japanese embassy household garden

            Unkept / filth / a plea / stormed

How long / being away from home / does it take

            to feel / exotic

Was it ghostship, your hand’s power to disappear bodies

Was the crisis truly operatic to your eyes

missing touch of music

Because the only sounds I remember

            bullets grazing / grenades go off/ hiss of smoke

As if they could swim out of the cathode box

Who the fuck would think of opera?

Repite conmigo, this happened in Perú.

about the author
Alonso Llerena

Alonso Llerena

Alonso Llerena is a Peruvian writer, visual artist, and educator. He holds an MFA from Bard College’s Milton Avery Graduate School of the Arts.

His work explores the interconnections between the poetics of exile and the poetics of remains, attending to the concrete materiality of trace and ruin—whether physical or lodged in memory. He is a poetry and prose editor at Cobra Milk.

He is the winner of the 2023 Ninth Letter Literary Award in Poetry, a Tin House alumnus, and a recipient of fellowships from the Martha’s Vineyard Institute of Creative Writing and Brooklyn Poets. His work has appeared in Prairie Schooner, The Offing, FENCE, Cream City Review, and elsewhere.