Issue XXXI — Fall 2024

Poetry

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• Brian Czyzyk
  • The Jeweler's Son
• David Joez Villaverde
  • Percontation
  • Interrogation
  • Interlocution
  • Inquisition
  • Colloquy
• Cortney Lamar Charleston
  • It’s Important I Remember That People Who Search for Me on Google Also Search for Terrance Hayes—
  • It’s Important I Remember That George Zimmerman Isn’t White—
  • It’s Important I Remember That Kanye West Doesn’t Care About Black People―
• Jarrett Moseley
  • Aria
  • Sounding
  • Self-Portrait as Snow Globe Figurine
  • The Sculptor
  • Syntax Study for Your Death
• Seth Leeper
  • Pantoublock with Odyssey and Space
• Joseph Omoh Ndukwu
  • I Name the World Because I Must Save It
  • The Dream Where Iʼm Dreaming of the Future
  • Trying to Remember My Father
  • The Faithful Departed
• Satya Dash
  • The Last Laugh
  • There is an art to losing opportunities
• Rick Barot
  • After Amina
• Sara Elkamel
  • On Every Night
  • The Nights Are Coming in Abundance
• Alexa Luborsky
  • Well with white stork
  • Well with stealing water
• Sappho Stanley
  • 52 Blue
• Margaret Ray
  • The Lesson
• Erika Luckert
  • Apology to the Women Before Me
  • If a grandmother of mine was a gardener,
• Shlagha Borah
  • daughterline
  • Jatinga, Assam
• Derek Ellis
  • Field Dressing
  • Search Party
  • On the Cross

Fiction

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• N.S. Ahmed
  • The Old President and the New President
• Mubanga Kalimamukwento
  • The Storyteller
• Claire Hopple
  • Look Busy
• Shirley Chan
  • One of a Kind
• Joe Baumann
  • The Heart Is a Place of Fury
• Lydia Gwyn
  • Azaleas
  • The Air is Golden
  • Groundskeepers
• Priya Ele
  • I Love You So Much I Could Die

Nonfiction

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• S. Brook Corfman
  • The Red Sea
• Becca Klaver
  • The Gutter
  • Carry On

Reviews

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• A Review of unalone by Jessica Jacobs by Jessica Tanck
• A Review of Inconsolable Objects by Nancy Miller Gomez by Paola Bruni